SITE VISITORS

click here black roots radio

                                 Lincoln Barrington "Sugar" Minott

                   (25 May 1956 – 10 July 2010)[1][2] was a Jamaican reggae singerproducer and sound-system operator.[3][4]
Contents   [hide 1Biography 2Death 3Discography 4References 5External links
Biography[edit] After working as a selector on the Sound of Silence Keystone sound system, and then his own Gathering of Youth system, he began his singing career as part of The African Brothers in 1969, along with Tony Tuff and Derrick Howard.[4] 
                The group released several singles in the first half of the 1970s on labels such as Micron and their own Ital label, and were an early example of the Rastafari movement's influence on the Jamaican music scene, taking a clear lead from The Abyssinians.[3] After recording "Mysterious Nature" for producer Rupie Edwards, the group recorded 1974's "No Cup No Broke" for Studio One, breaking up shortly after.[4]Minott then teamed up with the producer Clement "Coxsone" Dodd, as studio apprentice at Dodd's Studio One, working as a singer, guitarist and percussionist, and soon began recording his own singles.[4][5] Minott developed a talent for writing new songs to fit over existing rhythms (which at the time was common when singers performed live, but rare in the studio), often proving more popular than the original songs, pioneering an approach that would be central to the emerging dancehall style.[2][4]

                       After a number of moderately successful hits for Studio One, such as "Vanity", "Hang On Natty", "Mr. DC", and "Jah Jah Children", his debut LP Live Loving made his name and increased his popularity, and is regarded as pioneering the dancehall style that would dominate the early 1980s.[4][5] It was followed in 1979 with a second album, Showcase, which included his singles that had been omitted from the first album. The Bittersweet album followed, and then the third album of 1979, Ghetto-ology, which saw a return to roots reggaeRoots Lovers (1980) saw a move towards lovers rock, which was a UK hit. He became a bigger star in the UK than in Jamaica, his self-produced "Hard Time Pressure" being a major UK reggae hit in 1980, leading Minott to relocate to the UK, where he became a focus for UK reggae.[4][5] Singles such as "Run Come", "Not for Sale", "African Girl", "Lovers Rock", "In a Dis Ya Time", "Africa" and "Make It with You" (with Carroll Thompson) were hits in the years that followed. "Good Thing Going" (a coverof a song originally recorded by Michael Jackson in 1971) was picked up for distribution by RCA and reached Number 4 in the UK Singles Chart in March 1981, leading to an album of the same name. The Herbman Hustling album saw a return to dancehall and roots reggae. He released an album of recordings from Channel One StudiosWith Lots Of Extra in 1983, collecting several hits from his time working with Winston Holness. While Minott was in England he discovered the group Musical Youth[citation needed] and released a number of successful Lovers Rock singles. Returning to Jamaica, his Youth Promotion sound system performed regularly in Kingston's Maxfield Park, featuring Jah Stitch and newcomers who had been nurtured by his organization such as Ranking JoeCaptain Sinbad, and Ranking Dread. His Black Roots label featured his productions of these artists plus others such as Barry BrownTenor SawLittle JohnTony TuffBarrington LevyHorace Andy, and one of his discoveries from England, Trevor Hartley.[4] Minott also produced early works by Nitty GrittyJunior Reid,Yami BoloColourmanDaddy Freddy and Garnett Silk, who recorded his first song for Minott.[citation needed]

                         Throughout the 1980s the hits kept coming. Able to encompass different styles from rough roots to sweet lovers, through to classic dancehall, he was an artist of some influence. In that period he was working for all the top producers in Jamaica including, Mikey DreadGeorge PhangSly & RobbiePhilip "Fatis" Burrell, Channel One, Prince Jammy, and Donovan Germain, as well as recording for United States-based Lloyd "Bullwackie" Barnes (the Wicked A Go feel It album from 1984).[4] His biggest hits included "Herbman Hustling", "No Vacancy", "Jamming In The Street", "Rub A Dub Sound", "Buy Off The Bar", "Rydim", and "Devil's Pickney". He linked up with Sly & Robbie for 1984's "Rub a Dub Sound Style" single, which is regarded as a prototype for the ragga style that developed in the mid-1980s.[4] Sugar Minott continued to record on his Black Roots label, Youth Promotion Label and for Major and Independent labels.

                        His albums receive increasingly exciting reviews.[4] He released over 60 albums and hundreds of singles. Sugar is one of the artists who appeared on the (2006) record, Radiodread, released by the Easy Star label, he provided the guest vocals on the song "Exit Music (For a Film)". Minott's desire for independence led him to leave Studio One in 1978[3] and form his own Black Roots Records[6] label and Youth Promotion organization, the latter with the aim of helping young singers from the same ghetto background as himself.[3]             
                        Minott also ran the Youthman Promotion sound-system, giving young performers their first public exposure. Youthman Promotion has new selectors working alongside the veterans of Major Stitch, Ragga Steve and Drifter, Daddy Ants, Mr Shorty and Jimmy Knuckles. The selectors most recently added to the sound are DiGeneral Starry B in 2007, alongside Poochiny and Jr War, who were added in 2012. Ragga Steve has taken full control of the sound with Earl Minott in the UK. Death[edit]
​                         Minott died on 10 July 2010 at the University Hospital of the West Indies in St. Andrew Parish, Jamaica, after being admitted earlier that day.[2] The cause of death remains undisclosed. He had been affected by a heart condition since early 2009, and cancelled several performances in May 2010 due to chest pains.[2][7] In May 2012, a charity concert was held at his former home commemorating his birthday, with Minott's children (who include daughter Tamar, aka Pashon) joined by Bounty KillerSizzlaBeenie ManJunior ReidKen Boothe and John Holt.[8] Proceeds went to the Youthman Promotions Music Centre and other causes helping local poor people.

                                   YOUTHMAN PROMOTIONS SELECTOR RAGGA STEVE


Selector Ragga Steve is known as Youthman Promotion Sound Manager and Selektor since 1979 the members The Chief - Sugar Minott (R.I.P)THE SELECTORS ARE Major Stitch(The Original Jah Stitch), Ragga Steve, Mr.Shorty, Drifter, Starry B, Poochiny, Junior War.

Fire Pashon, Danny Minott(Blae), Earl Minott, Ricky Ranking, Jimmy Knuckles, Daddy Ants, Color Man, Jah Niceness, Ras Oney, Trevor Jr,Tampanae, Pleasure, Strappa J The Professor.
Ragga Steve manage Youthman promotion sound and has played the music for the artist who was fatured and part of the youthman promotion crew owned By The Late Great Sugar Minott .

Ragga Steve worked with The Youth Promotion crew which included many great reggae artist such as Yami Bolo, Michael Palmer, Junior Reid, Garnett Silk, Andi Livingston, Shalom (then known as Steve Harper), Nitty Gritty, Tenor Saw, Tony Rebel, Daddy Freddy, Color Man, Daddy Ants, Daddy Shark, Little John, Triston Palmer, Trevor Junior, Thriller,Blacka T, Dona P and many more. These artistes honed their talents at Youthman Promotion under the guidance of Sugar Minott and showcased their talent alongside a popular sound system of the same name - Youthman Promotion, which is owned by Sugar Minott and was used to promote the stable of artistes. The sound system was one of four sounds which participated in another first for the dancehall - the first ever sound-clash. The landmark clash was held at Cinema II in New Kingston.

The other three sounds were King Jammys, Black Scorpio & Arrows Intl. Youthman Promotion with its battalion of young artistes led by Sugar Minott, crushed all opposition and took home the crown. This was the beginning of a trend, which has made clashing an art form with famous encounters, which are talked about even today. During this period Sugar made two very important songs - Dancehall Stylee and Dancehall We Deh, the latter produced by veteran DJ Jah Thomas.

The songs became Dancehall classics which the naming of that genre of music is known as dancehall that arosed in 1984 when a popular promotions company called Inner City Promotions started a concert series that featured artistes who were popular in the dancehall but were mainly played by sound systems. Mike Tomlinson and Lois Grant called the series Dancehall. The first concert took place at Harbour View Drive-In but was later transferred to Cinema II.

Sugar’s song Dancehall We Deh was the theme song for the series. After this, the word dancehall took on a new meaning and has developed into what we now regard as simply dancehall today.Sugar Minott and Ragga steve Selector and Manager of Youthman Promotion have toured England , Asia, the United States, Europe, and was one of the first reggae acts to tour Japan. In fact, his impact in Japan was so tremendous that he played a critical role in establishing Reggae in Japan. After over 60 albums and thousands of singles, Sugar Minott can be referred to as one of the fathers of the dancehall phenomenon and one of Jamaica’s most versatile and prolific singers. Being the selector and manager of youthman promotion sound

​ I am honored to have witness and played a part in the making of the Dancehall music era with such legendary artist. I am still today supporting and maintaining the legacy of the owner of the sound(The late Great Sugar Minott- Chief) and as the manager/selector of this sound !We are still in action and have a upcoming show with Elephant man very soon ! Ragga Steve



Click to set custom HTML


PRIVACY NOTICE: Warning - law code   UCC 1-103 1-308   any person and / or institution an d / or Agent and / or Agency of any governmental structure including but not limited to the United States Federal Government also using or monitoring this website or any of its associated sites DO NOT have my permission to use any of my profile information nor any of the content contained herein including, but not limited to my photos, and / or the comments made about my photos or any other "picture" of art posted on my profile. You are hereby notified that it is strictly prohibited to disclose, copy, distribute, disclose or take any other action against me with regard to this profile and the contents herein. The previous prohibitions also apply to your employee, agent, student, or any personnel under your direction or control. The contents of this profile are private and confidential information and sensitive. The violation of my personal privacy is punishable by law. UCC 1-103 1-308